DRAMATIC ARCHITECTURES.
THEATRE AND PERFORMING ARTS IN MOTION
CHANGING SPACE AND PERFORMANCE FOR A CHANGING WORLD – Jorge Palinhos, Josefina González Cubero and Luísa Pinto
URI: http://hdl.handle.net/10400.26/39188 | DOI:
HOLD: EVENT-SPACE AND CONTAINERIZATION IN THE TIME OF COVID-19 – Dorita Hannah
URI: http://hdl.handle.net/10400.26/39189 | DOI:
THE MEMORY OF A DISAPPEARED ARCHITECTURAL TYPOLOGY OF THE POPULAR PERFORMANCE: THE CIRCUS-THEATRES IN SPAIN – Josefina González Cubero and Leonor de Meer González
URI: http://hdl.handle.net/10400.26/39190 | DOI:
WORD AND FLESH: FRAMING THE SPACE IN THEATRICAL PERFORMANCES IN CHURCHES – Bridget Foreman
URI: http://hdl.handle.net/10400.26/39211 | DOI:
OCCUPATION AND TRANSFORMATION OF OLD WAREHOUSES AT RIO DE JANEIRO DOCKLANDS AREA INTO THEATRICAL SPACES. PERFORMATIVE EXPERIENCES IN THE 21st CENTURY – Evelyn Furquim Werneck Lima
URI: http://hdl.handle.net/10400.26/39210 | DOI:
THE KINSHIPS OF TOMORROW: NEW FORMS OF RADICAL TOGETHERNESS IN AUDIENCE-PARTICIPATORY DANCE THEATRE – Stefan Jovanovi?
URI: http://hdl.handle.net/10400.26/39209 | DOI:
THEATRICAL ARCHITECTURAL BUILDINGS AND COMMUNITY: TEATRO CONTÊINER MUNGUNZÁ – Luísa Pinto
URI: http://hdl.handle.net/10400.26/39208 | DOI:
FOOTBRIDGE AUDITORIUM – Katarzyna Zawistowska
URI: http://hdl.handle.net/10400.26/39207 | DOI:
SCENIC DESIGN AS A FIELD FOR EXPERIMENTATION BY ARCHITECTS: THE SET DESIGNS BY HERZOG & DE MEURON AND MORPHOSIS – Niuxa Drago
URI: http://hdl.handle.net/10400.26/39206 | DOI:
THE HOURS: THE (FE)MALE GAZE? – Isabel Lousada and Vanda de Sousa
URI: http://hdl.handle.net/10400.26/38412 | DOI:
GIULIO CAMILLO: SCENOGRAPHER OF MEMORY IN A DRAMATIC ARCHITECTURE – Carolina E. Santo
URI: http://hdl.handle.net/10400.26/39205 | DOI:
TOWARDS A PRACTICE-AS-RESEARCH MODEL OF PERFORMISE: TAKING SCENOGRAPHY FOR ANTIGONE THE UNBRAVE (2019) AS A CASE STUDY – Yi-Chen Wu
URI: http://hdl.handle.net/10400.26/39204 | DOI:
TRANSFORMATION OF THE FOUND ENVIRONMENT IN PERSIAN PASSION THEATRE – Zahra Fuladvand and Judit Csanadi
URI: http://hdl.handle.net/10400.26/39203 | DOI:
MAPPING MEMORIES. EXPLORING INTANGIBLE HERITAGE THROUGH PLAYWRITING: AN ARCHITEXTURAL APPROACH – Jenny Knotts
URI: http://hdl.handle.net/10400.26/39202 | DOI:
THE CURVE IS RUINOUS: ARCHITECTURE AND THE PERFORMATIVE INTERVENTION SPIRALS – Hari Marini
URI: http://hdl.handle.net/10400.26/39201 | DOI:
VERTICAL KNOWLEDGE: EXPLORING THE POTENTIAL OF VERTICAL DANCE AS A SCENOGRAPHIC STRATEGY IN THE PERFORMANCE OF SITE – Natalie Rowland
URI: http://hdl.handle.net/10400.26/39200 | DOI:
SETTING ARCHITECTURE IN MOTION BY MEANS OF PERFORMANCE – Višnja Žugi?
URI: http://hdl.handle.net/10400.26/39199 | DOI:
HOW DID MY PARENTS GET TO THE UNDERPASS? EXAMINATION OF A NON-THEATRICAL PERFORMANCE IN NA URBAN PUBLIC SPACE – Gabriella Kiss
URI: http://hdl.handle.net/10400.26/39198 | DOI:
THE USE OF SCENOGRAPHIC INTERVENTIONS FOR SOCIAL ENGAGEMENT IN CONTESTED PUBLIC SPACES: THE CASE OF THE SOUTH WALLED CITY OF NICOSIA – Marina Hadjilouca
URI: http://hdl.handle.net/10400.26/39197 | DOI:
DESIGNING SOCIAL SPACE THROUGH PERFORMANCE: NA EXPERIENCE OF SOCIAL PERFORMANCE IN A POST-INDUSTRIAL LANDSCAPE – Jorge Palinhos
URI: http://hdl.handle.net/10400.26/39196 | DOI:
SOUND DIMENSION IN THEATRE. HOW SOUND INFLUENCES SPACE: THE JOËL POMMERAT’S THEATRICAL CASE STUDY – Rafaël Magrou
URI: http://hdl.handle.net/10400.26/39195 | DOI:
INVISIBLE RELATIONSHIPS: LIGHT, ART AND POLITICS IN THE PUBLIC SPACE – Tomás Ribas
URI: http://hdl.handle.net/10400.26/39194 | DOI:
THE SCENOGRAPHIC SPACE(S) OF AUGMENTED REALITY – Lucy Thornett
URI: http://hdl.handle.net/10400.26/39193 | DOI:
SPATIAL THEATRE FOR ARCHITECTS: EXERCISES FOR STUDENTS – Gray Read
URI: http://hdl.handle.net/10400.26/39192 | DOI:
SEARCHING FOR DISSIDENCE IN THE SCHOOL OF ARCHITECTURE AT THE UNIVERSITY OF COSTA RICA: PERFORMATIVE ARTS AND ARCHITECTURE’S BOUNDARIES – Natalia Solano-Meza
URI: http://hdl.handle.net/10400.26/39191 | DOI:
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